Anam Cara (work in progress)

“Anam Cara”
— 'Soul Friend' (Gaelic). The person or spiritual guide you can share your innermost thoughts and feelings with.

Our latest work, an incredibly exciting large garden sculpture that we cannot wait to share with you, is currently under construction.

The story behind ‘Anam Cara’ is almost as beautiful as the sculpture itself. Please sign up to our mailing list at the bottom of this page and follow us on social media (using the buttons at the top of the page) to get regular updates on the progress of this sculpture.

We believe and hope this sculpture could be one of our most special creations, and want you to be a part of its journey into being.

This very special piece will be a limited edition of just five pieces at full size, each with individualised details, We are also planning a larger edition of half and quarter-sized versions of this piece to make it more accessible for those with whom it resonates.

Advanced purchases of these options will be available with a generous discount on future pricing, so please get in touch if you are interested in further details.

Two people in a workspace creating a body mould; one person stands covered in white plaster, holding onto a support bar, while the other person, CJ Munn, wearing gloves, applies the plaster material.
Large tree with thick trunk and extensive roots in a park setting.
A headless fibreglass model with arms raised, standing upright against a white and brown background.
Collection of electroformed copper leaves and branches on a wooden surface

Silhouette of a person standing in a cave, reaching upwards. The lighting emphasizes the texture of the cave walls.
White sculpture of human feet on a flat surface.
Artistic black and white photo of a nude woman posing gracefully in a rocky cave setting.
Person covered in plaster for body casting with two lifecasters adjusting the material in a workshop setting.
Close-up of a white sculpture depicting a human torso with detailed features.

Cave photos of model Rebecca Perry by Roberto Mannini.